Eleanor Sokoloff, pianist and teacher

Eleanor and Vladimir Sokoloff, circa 1950

Eleanor and Vladimir (Billy) Sokoloff

Eleanor Sokoloff (’38) celebrates her 100th birthday this summer. Mrs. Sokoloff is the oldest and longest-serving member of the Curtis faculty. She entered Curtis in 1931 and started teaching  supplementary piano in 1936, before graduating in 1938. Eleanor Blum married fellow student Vladimir (“Billy”) Sokoloff shortly before they graduated, and Billy also joined the faculty. During their last year as students they studied duo-piano playing, a discipline that had just been introduced at Curtis; it was discontinued after one year due to financial constraints. This performance by Eleanor Blum and Billy Sokoloff, playing Brahms’s Variations on a Theme by Haydn, was recorded during a radio broadcast from Casimir Hall (now Field Concert Hall) on March 2, 1938 and provides a rare opportunity to hear their joint artistry. 

To hear the music, click the “play” button.

We have asked Gary Graffman (’46), Seymour Lipkin (’47), Robert McDonald (’77), Meng-Chieh Liu (’93), Ignat Solzhenitsyn (’95), and  Jonathan Biss (’01), all members of the Curtis piano faculty, for a brief reflection on Eleanor Sokoloff as a fellow pianist and teacher. Other alumni are invited to add their own comments in the comment box! (scroll to the bottom of this page.)
Gary Graffman (’46):

It was wonderful to hear Eleanor and Billy Sokoloff playing the Brahms-Haydn Variations. It’s a terrific performance and brings back all sorts of happy memories. When they made this recording in 1938 I was ten, but already a veteran of two seasons at Curtis. So Eleanor and I were schoolmates for a time, although she was almost a grownup and I was a pre-teen twerp. Over the years I’ve tried valiantly to catch up with her but it can’t be done. What can I say? She’s the pot of gold at the end of the rainbow.

Seymour Lipkin (’47):

Dear Eleanor: Lucky us, that we have had you with us for so many years, to set high standards with your tremendous knowledge,  both of music and of piano playing, together with your sharpest of ears. We all wish to continue to have this good luck for many more years to come. Most affectionate regards from Seymour.

Robert McDonald (’77):

Reflecting on Eleanor’s extraordinary relationship to the history of Curtis and its piano department inspires extravagant admiration and no small degree of awe. Her elegant, demanding, and unfailingly intelligent and wise presence remains forever indispensable to the integrity of the school and all that it continues to represent. It is a privilege and a great pleasure to stand in her exceptional company.

Meng-Chieh Liu (’93):

I am proud to have known both Dr. and Mrs. Sokoloff. When I came to study at Curtis in 1985, Dr. Sokoloff was an indispensable fixture around the school. His vast knowledge of music inspired me to play just as much chamber music as solo music, and one would sense his commitment to music from his daily practice early morning to his presence in almost every student recital in the evening. Mrs. Sokoloff was a fixture of a different sort: at first sight, she is a figure that intimidates and instills fears in students. Her strict and methodical approach of training young students has produced countless musicians. However, the longer I have known her, the more respect I have for this profoundly loving human being. Curtis history has been enriched and decorated not only by her presence but also by her deep commitment to her alma mater and her love for education. I am so grateful that I had a chance to grow under two of the most incredible people I have met.

Ignat Solzhenitsyn (’95):

What thoughtful, elegant, unforced playing, especially in the relaxed clarity of Variation 5 and the shimmering incandescence of the Passacaglia.  Not only is the balance between the pianos almost faultless, but it is achieved in a strikingly intelligent fashion that allows Brahms’ intricate textures and voice-leading to emerge in their full splendor.  Light pedaling, judicious rubato, flowing tempi—all these belie the supposed turbidity of that age, and lend a deliciously “modern” flavor to this extraordinary historical document.  Bravi, Mr. and Mrs. Sokoloff!

Jonathan Biss (’01):

What never ceases to amaze me about Mrs. Sokoloff warm and welcoming as she is, I will never be able to address her as “Eleanor” is her razor-sharp ear and her unjaundiced eye. While it is true that she represents a link to Curtis’s early days and to the musical titans of that era, she has her feet firmly planted in the present, and her most deeply-held and fiercely-defended values quality, discipline, and integrity are timeless. The energy and passion with which she has devoted herself to teaching over the better part of a century are remarkable to the point of being just slightly intimidating! Thank you, Mrs. Sokoloff, for the inspiration and the example you have provided the rest of us.


  1. Diana Steiner May 15, 2014 Reply

    Eleanor was my secondary piano teacher when I was 11. Thanks to my sight reading my lessons, I ended up as a studio accompanist for Galamian, Reynolds and sometimes Zimbalist. Sometimes inspiration comes in unexpected ways! Happy Birthday Eleanor. We go way back!

  2. Jennifer Kallend May 15, 2014 Reply

    The Philadelphia Inquirer also covered some of the tributes in her honor at Tea in May. And Mrs. Sokoloff reminded us she’s not going anywhere! http://articles.philly.com/2014-05-09/news/49720047_1_eleanor-sokoloff-gary-graffman-curtis-institute

  3. I just heard the most beautiful rendition of the Brahms Variation on a Theme of Haydn. It was so emotional….. it brought me to tears.
    In music, we have the three B’s…. Bach, Beethoven and Brahms. I love many composers, but if I had to single out my favorite, it would be Brahms! I often relate that when my time in life takes me, I plan to see my three B’s. They are my late dear husband, Fred Brauer, Brahms, to thank him for his magnificent music and Ben (Franklin) for inventing the Armonica which gave me my third career..
    Happy 100th birthday! What a great milestone! I reached my 90th this past November and, hopefully will reach 100 as you have so successfully done.

  4. Ann Heiligman Saslav June 19, 2014 Reply

    How I well remember the many encounters with Mrs. Sokoloff as we called her..she attended so many student recitals personally and always had a lovely or profound comment on performances in the Common Room afterward…even to those of us who studied with other teachers. I have never forgotten those moments.
    My years at Curtis 1954-59 were filled with remarkable musical experiences onstage and off-stage in practice rooms and in the Curtis box at the Academy of Music..Eleanor Sokoloff and Billy Sokoloff were already legends then, even back in the ’50s. Her life, extraordinary..and filled with love of music and teaching on the highest level to others is a still real inspiration to me today! Ann H. Saslav..
    Congratulations! and Happy Birthday! and thank you for this remarkable recording of your beautiful playing with Mr. Sokoloff!

  5. Howard Nevison October 2, 2015 Reply

    I was fortunate to have know and worked with the Sokoloff’s.
    Being a voice major I studied and worked very closely with Billy. Over my 4 Years of study. He was a very important mentor and his encouragement was a great help in my development as an artist. After my graduation in 1965 I sang in major opera companies in Europe and Israel. Finally in 1978 I became the Cantor and Music Director at Temple Emanu-El, of New York City, until my retirement in 2006. So much of my successes I owe To Curtis and the Sokoloff’s

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